About

O, what a noble mind is here o'erthrown

During one of his lectures Samuel Taylor Coleridge once reportedly claimed, "I have a smack of Hamlet myself, if I may say so," and he was almost certainly right. Coleridge was not the first nor would he be the last to speak on-end about Shakespeare's famous tragedy only to succumb to a darker end than anyone could have predicted. When he passed in 1912 many cited that it might have had a thing or two to do with his extensive opium use. Just over sixty years later an RSC production of Hamlet would be cut short after the director committed suicide.

Many scholars have discussed the "obvious" connection researchers and creators have with Hamlet himself and various other characters. I myself first watched the play at six years old and was so gripped by the story, at such a young age, that the subconcious need to study the work followed me for 20 years until I decided to finally research the damn thing. So many of us have been taken hostage by this tragedy, as well as many other tragic works. I have dubbed this phenomena Hamlet's Calamity, a condition where one becomes so enthralled by a tragic story that they find themselves in the story and later become trapped. This is most observable in Hamlet however my theory is it may be applicable to other works.


The research being conducted will cover this "loss of self" within researching, directing, and acting in Hamlet. It will also cover how we can better prepare those consuming tragic works for more healthy interactions with media. This is a massive project that will take, by my estimate, close to a decade to complete. As you read this right now the website is probably pretty bare bones. As time goes on, this text will be erased and better, more coherent explanations will take its place.


For now, I need to talk to every possible person I can. I need to chat with directors, scholars, fans, actors, everything you can imagine! Please visit the Get Involved tab to learn how you can help.